The acclaimed artist Vhils has created his first mural in Toronto, telling the story of a former Portuguese cleaning lady involved in the Cleaners’ Action movement that took place in the 1970’s.

Cities have the raw materials and inspiration for Alexandre Farto (b. 1987), the acclaimed Portuguese artist known as Vhils, who made giant faces appear on urban facades, during the last decade all over the world. They are dug out in a dissection process meant to “reveal the insides” of these great cities. He has been interacting visually with the urban environment since his days as a prolific graffiti writer in the early-to-mid 2000s, until he realized that he was just “adding one layer over many others that have covered the walls over the years.”

His work developed an ongoing reflection on contemporary urban societies and the complexity of the modern city. The artist uses subtractive methods of carving, cutting, drilling, and even blasting through with explosives, in a “creative destruction” process. This groundbreaking bas-relief carving technique – which forms the basis of the Scratching the Surface project. It was first presented to the public at the VSP group exhibition in Lisbon in 2007 and at the Cans Festival in London the following year. It has been hailed as one of the most compelling approaches to art created in the streets in the last decade.

Vhils’ work, showcased around the world in both indoor and outdoor settings, has been described as brutal and complex, yet imbued with a simplicity that speaks to the core of human emotions. His work is an ongoing reflection on identity, on life in contemporary urban societies and their saturated environments. It speaks of effacement but also of resistance, of destruction yet also of beauty in this overwhelming setting, exploring the connections and contrasts, similarities and differences, between global and local realities.

His first project in Toronto, ‘Cleaners’ Action’ movement reflects another case of human resistance, and a tribute to the Portuguese immigrant women who worked as janitorial workers in the high-rise office towers downtown and at the Queen’s Park Legislative Buildings in the 1970’s. Portuguese “cleaning ladies” have been a constant presence in the lives of countless Portuguese-Canadians as mothers, wives, breadwinners, community members, and activists. Torontonians, in general, are familiar with them, though mostly as archetypes of Portuguese immigrant women, without knowing much about their lives. Still, these working women, who have played a major role in up-keeping their families, communities as well as the city, remain largely invisible in the story of Toronto.

Julia Prajza is a Muralist, Lettering Artist, and Designer based in Toronto. As  an OCAD University graduate, with experience as an Art Director and Graphic  Designer, she has now returned to her first love: the art of drawing and  painting. Bringing her design expertise and graphic style to her work, Julia often  focuses on text-based imagery. Creating intrigue with ornate details, vibrant  colours, and a whimsical style, she aims to bring more joy and positivity into our  everyday lives. With her lively spirit, Julia is emerging into the public and  community-engaged art world because she strongly believes in the power of art  and its ability to help improve our mental health and cultivate human  connection.

“So for my design, this was originally based on the theme of ‘new beginnings, hope, and optimism’, and I wanted to create something that would truly honour the rich culture of the Portuguese people. And so I created this modern-meets-traditional design. I used these really vibrant colours that would celebrate the energy of the Rooster itself, in order to emanate from the sculpture for locals and visitors alike.

“On the shape of the Rooster itself, I created these bold, organic, playful pieces that would fit together like illuminated stained glass work. The patterns that live within these shapes, they’re kind of my abstract interpretation of Portuguese folk art embroidery, with a whimsical twist in there. Also inspired by my travels to Portugal in 2013, I’ve used these contrasting colours of yellows and blues that dance together in a lovely harmony, representing the everlasting sunshine and sparkling blue waters of the landscape.

And with these details, I kind of hope that people will appreciate them the closer they come to look at the sculpture and act as hidden gems for people to discover that makes public art so exciting. And I hope to bring this playful, positive representation of Little Portugal to life and really reflect on the importance of the Rooster.” – Julia Prajza

“We believe that artistic expression is our strongest tool, and that it can be used as a catalyst for expression and as a forum for dialogue. We can then begin to focus on important global and local issues of our societies, and celebrate cultural and artistic diversity.”

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